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Opening Hours
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Opening Hours
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Opening Hours
Opening Hours
About
About
About
About
About
About
About
About
About
About
Lemoyne is a nonprofit art space that is exhibiting artists from Switzerland and abroad. In their «Room1» series Lemoyne focuses on showing edition works like prints, photographs, films, performances or artist books for a short time period that can last from one evening to a weekend. The space was founded by art historian and writer Kristin Brüggemann and cultural sociologist David Khalat in the end of 2018. In 2020 the team was completed by Samuel Seemann who is well known for his digital art channel Artscene.
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Contact
Imprint
Imprint
Imprint
Imprint
Imprint
Imprint
Imprint
Imprint
Screening: Somewhere else now
Screening: Somewhere else now
Screening: Somewhere else now
Screening: Somewhere else now
Curatorial proposal
Curatorial proposal
Curatorial proposal
Curatorial proposal
Curatorial proposal
Curatorial proposal
Curatorial proposal
Curatorial proposal
Curatorial proposal
Curatorial proposal
Curatorial proposal
Curatorial proposal
Artists
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Artists
Screening Date
Screening Date
Screening Date
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Screening Date
Screening: Arraiano, Papamargariti, Prieto, Yeomans
Screening: Arraiano, Papamargariti, Prieto, Yeomans
Screening: Arraiano, Papamargariti, Prieto, Yeomans
Screening: Arraiano, Papamargariti, Prieto, Yeomans
Curation
Curation
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Curation
Curation
Curation
Curation
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Curation
Curation
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Artists
Screening Date
Screening Date
Screening Date
Screening Date
Screening Date
Screening Date
Screening Date
Screening Date
Screening Date
Screening Date
Screening Date
Screening Date
Occasion
Occasion
Occasion
Occasion
Occasion
Occasion
Occasion
Occasion
Occasion
Occasion
Occasion
Occasion
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
John M Armleder and Genuardi / Ruta – Stavamo in piedi su una scogliera
For this first project in Switzerland, Antonella Genuardi and Leonardo Ruta wanted to invite John M Armleder. The two young artists trained at the academy of Palermo where they have been working as a duo since 2014. For them, abstraction is a complex colored vocabulary that they pass through the filter of architecture. In each of their installations, and this is the case here, lines and hues amplify our perception of space and its logic. The light, the shadows, the flat areas become the implicit structure of a tilt of the glance.
But, more than a simple practice, art is for them a place of commitment. Thus, they manage with some others, one of the rare OffSpace of Palermo. At the Ascensore, they set up an international program that reflects their meeting and their ambition to make art a space of thought of revolt.
This revolt transformed into a collective commitment was also the one that underlies the beginning of John M Armleder's artistic career.
The title of the exhibition suggests that, as in other periods of our contemporary history, we can feel like we are standing on the cliff.
Artists
Artists
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Artists
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Artists
Curator
Curator
Curator
Curator
Curator
Curator
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Curator
Curator
Curator
Curator
Curator
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Exhibition dates
Exhibition dates
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Opening hours
Opening hours
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Opening hours
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
organic symmetry
Lemoyne is happy to announce Youjin Yi’s first solo show in Zurich titled “organic symmetry”. Yi’s works visualize existential states of being and the origins of human identity and experience. Her art is distinguished by the variation of graphic and painterly principles. The artist lays claim to translate the lightness of drawing to large-format paper or canvas. The process of omission constitutes an important compositional element in her work: Yi terms it the “beauty of the void”.
This exhibtion is supported by Neustart Kultur and Stiftung Kunstfonds.
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Opening
Opening
Opening
Opening
Opening
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Opening
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Opening
Opening
Opening
Opening hours
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Opening hours
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia
Agrofilia is a love declaration, wrapped in obsession and fuelled by Carlos Fernández’ love for agriculture and all the processes involved in this field of knowledge. The artist from Costa Rica presents an intimate portrait of this passion by bridging together these processes and playing with the different layers hidden in the act of “fieldwork”, a term commonly used within the geographic sciences to describe methods of investigation and analysis strategies, which he employs to talk about the sometimes forgotten and often mundane agricultural labour.
The knowledge generated by the artist’s investigations is laid out in a layered rubric of metaphors, figures, and relations, which put the body in centre stage. The body is the basis of agricultural practices but nowadays its development is ever more dependant on automatization and robotic instruments, being able to carry out the work with astonishing precision. Though this may be good for production, it separates the body from the crop, the hand from the soil and the body, as a tool to explore space, from the field.
The artist introduces the idea of workout in agriculture as an educational tool, bringing it out of the gym and into the field. With his experience in teaching, Fernández is convinced of the importance of body training as a way of exercising the mind and labour as a playful but highly political way of developing posture. He fosters care as a product of agricultural labour and a physical process that allows our bodies to resonate with our minds. It is an embodied practice that quite literally brings food to the table and feeds the mind.
The drawings, Trazando Vínculos or Tracing Links, are a synthesis of the different temporalities of this work. They embody the transition from fieldwork to nourishment, ending at the moment when food arrives on the table and becomes a social act. It is an exploration of the different experiences of these agents into one single perspective.
The work Patrones or Patterns explores the formal language of the crop field by abstracting form and colour to create kaleidoscopic versions of this reality. These backgrounds trace movement through every stroke and provide rhythm to the exhibition, while hovering above the background, we can identify the single figurative element of the series and what Fernández considers the most important element of agronomy - the hat, a symbol of agriculture in the Global South.
Written by Violeta Burckhardt
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Opening
Opening
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Opening
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Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Nocturnal Correspondence
Lemoyne is happy to announce “Nocturnal Correspondence” a group show with new works by Monika Grabuschnigg and Martin Maeller.
“Nocturnal Correspondence” is an artistic exploration of melancholy and the deep longing for connection - topics that are central within Monika Grabuschniggs and Martin Maellers œuvre. Maellers multi-layered installations appear reduced and mostly monochrome by using shapes and imprints of found objects and everyday items. His work deals with states of mind as well as experiences of finitude, and is inspired, among other things, by mythology and pop culture. Grabuschnigg forms image carriers out of clay. Thematically the artist focuses on interpersonal relations, their underlaying structures and uncanny mindsets, which evoke enigmatic narratives. By juxtaposing the works of both artists they instantly conjure up correspondences: as if one were drawn into long nocturnal conversations in which they tell each other their secrets.
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Opening
Opening
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Exhibition dates
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Opening hours
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Opening hours
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
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Opening
Opening
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Opening hours
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Bottom Up
Bottom Up
Bottom Up
Bottom Up
Bottom Up
Bottom Up
Bottom Up
Bottom Up
Bottom Up
Bottom Up
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Bottom Up
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Opening
Opening
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Opening hours
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Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
Z.I.P. - Zoom In Paintings
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Curator
Curator
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Curator
Curator
Opening
Opening
Opening
Opening
Opening
Opening
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Opening
Opening
Opening
Opening
Opening
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Opening hours
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橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
橫掃 Sweep of the horizon
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Curators
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Curators
Opening
Opening
Opening
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Opening
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Opening hours
Opening hours
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Opening hours
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Opening hours
Opening hours
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
Double or Nothing Exhibition
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Curators
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Curators
Curators
Curators
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Exhibition dates
Exhibition dates
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Opening hours
Opening hours
Opening hours
Opening hours
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Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
May Day Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
May Day Exhibition
Dolls Exhibition
Dolls Exhibition
Dolls Exhibition
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Artist
Curation
Curation
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Curation
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
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Opening hours
Opening hours
Opening hours
Opening hours
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Opening hours
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Opening hours
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Opening hours
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
May Day Exhibition
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
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Curation
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Curation
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Photography
Words Exhibition
Words Exhibition
Words Exhibition
Words Exhibition
Words Exhibition
Words Exhibition
Words Exhibition
Words Exhibition
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Opening
Artists
Artists
Artists
Artists
Artists
Artists
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Artists
Artists
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Artists
S.M.S. Exhibition
S.M.S. Exhibition
S.M.S. Exhibition
S.M.S. Exhibition
S.M.S. Exhibition
S.M.S. Exhibition
S.M.S. Exhibition
S.M.S. Exhibition
About S.M.S.
About S.M.S.
About S.M.S.
About S.M.S.
About S.M.S.
About S.M.S.
About S.M.S.
About S.M.S.
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates
Exhibition Dates